Archives July 2026

๐๐š๐œ๐คย ๐ˆ๐งย ๐“๐ข๐ฆ๐ž:ย ๐ƒ๐ข๐ย ๐˜๐จ๐ฎย ๐Š๐ง๐จ๐ฐ? ๐‰๐จ๐ฌ๐ž๐ฉ๐กย ๐†๐›๐š๐›๐šย ๐๐ž๐ฒ๐จ๐ง๐ย ๐ญ๐ก๐žย ๐’๐ญ๐š๐ ๐ž ๐๐š๐ซ๐ญย ๐ˆ๐ˆ๐ˆย ๐จ๐Ÿย ๐ˆ๐ˆ๐ˆ

By Derek M. Moore

In Part I, we met Joseph Gbaba before the stage fully found him. In Part II, we followed the young playwright from Carroll High School to the University of Liberia, Blamadon Theatre Workshop, Dehkontee Artists Theatre, Inc. (DATI), Bai T. Moore, and the professional theatre training that helped sharpen what Liberia had already placed inside him.

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๐๐š๐œ๐คย ๐ˆ๐งย ๐“๐ข๐ฆ๐ž:ย ๐ƒ๐ข๐ย ๐˜๐จ๐ฎย ๐Š๐ง๐จ๐ฐ?๐‰๐จ๐ฌ๐ž๐ฉ๐กย ๐†๐›๐š๐›๐šย ย ๐“๐ก๐žย ๐Œ๐š๐งย ๐–๐ก๐จย ๐๐ฎ๐ญย ๐‹๐ข๐›๐ž๐ซ๐ข๐šย ๐จ๐งย ๐ญ๐ก๐žย ๐’๐ญ๐š๐ ๐ž ๐๐š๐ซ๐ญย ๐ˆ๐ˆย ๐จ๐Ÿย ๐ˆ๐ˆ๐ˆ

By Derek M. Moore
In Part I, we followed Joseph Gbaba before the stage fully found him from BTC and PHP, through his early schooling, to St. Philomenaโ€™s, Carroll High School, and the first play that revealed his belief that theatre could teach, unite, and preserve culture.But a calling is only the beginning.

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